Tandoori Fusion for UberEATS

UberEATS photoshoot Friday, March 16, 2018 at Tandoori Fusion at 4600 Chamberlain Lane in Louisville, Ky. (Photo by Brian Bohannon)

J Gumbo’s for UberEATS

UberEATS photoshoot Friday, March 2, 2018 at J Gumbo’s at 1616 Grinstead Dr., in Louisville, Ky. (Photo by Brian Bohannon)

Orange Clover Kitchen for UberEATS

UberEATS photoshoot Wednesday, Feb. 28, 2018 at Orange Clover Kitchen at 590 Missouri Ave., in Jeffersonville, Ind. (Photo by Brian Bohannon)

The Ohio River rises along Waterfront Park yesterday at sunset.

The Ohio River rises along Waterfront Park under the John F Kennedy Memorial Bridge, left, and the Abraham Lincoln Bridge Tuesday, Feb. 20, 2018 in Louisville, Ky. (Photo by Brian Bohannon)

Shalimar Indian Restaurant for UberEATS

UberEATS photoshoot Friday, Feb. 9, 2018 at Shalimar Indian Restaurant at 1850 South Hurstbourne Parkway in Louisville, Ky. (Photo by Brian Bohannon)

Lik’s Asian Latin Fusion for UberEATS

UberEATS photoshoot Thursday Feb. 1, 2018 at Lik’s Asian Latin Fusion at 1273 S. Brook St. in Louisville, Ky. (Photo by Brian Bohannon)

Parlour for UberEATS

UberEATS photoshoot Friday Jan. 26, 2018 at Parlour, 131 W. Chestnut St. in Jeffersonville, Ind. (Photo by Brian Bohannon)

La Rostia Sol for UberEATS

UberEATS photoshoot Tues., Jan. 23, 2018 at La Rostia Sol at 8730 Westport Road in Louisville, Ky. (Photo by Brian Bohannon)

Mi Sueno Cuban Express Food for UberEATS

UberEATS photoshoot Saturday, Jan. 20, 2018 at Mi Sueno Cuban Express Food at 3425 Bardstown Rd. in Louisville, Ky. (Photo by Brian Bohannon)

Master Bridge Wright, Restorationist and Conservationist Arnold Graton

Restorationist and conservationist Arnold M. Graton Associates, Inc., of Ashland, NH, a master bridge wright, and his wife Meg near completion of the Beech Fork Covered Wooden Bridge Wednesday, Dec. 6, 2017, near Springfield, Ky., as they and workers add the floor boards to finish by December 25. (Photo by Brian Bohannon)



Kentucky Living recently assigned me a Uniquely Kentucky page. My subject was the Beech Fork Covered Wooden Bridge and the husband and wife team of Arnold Graton and Meg Dansereau that had been restoring it for a year and a half. It’s 210 feet, the longest covered wooden bridge in Kentucky. My piece was a follow-up to coverage the magazine had given at the beginning of the restoration process. The bridge was nearly complete with an opening date of Dec. 25, 2017.

We discussed various situations I might photograph him in for the full-page photo spread, all sorts of ways to make a large photo with space for a text box to be placed over the photo. But when I arrived, I learned that Arnold had turned his ankle a couple of days before. He was in pain walking around on it, so this greatly reduced his mobility and restricted him to level ground.

So I was limited in what I could do with Arnold. There wasn’t much level ground around the bridge to stand him on and still have him “candidly” working on it in any believable way. Putting him out on the highway with the replacement bridge that ran parallel to the old bridge placed him too far away and would cause him to walk too much.

When I arrived, I expected a finished bridge, based on our discussions and the photos I’d seen. But there was no floor in the bridge yet, as that was their goal for the day. It was after lunch when we finally had enough floor installed to give us enough room to stand inside, but it gave me enough space to see that it was the best place to put Arnold for the photo, even if I wouldn’t be able to get him “candidly” working.

Shooting the video and portrait inside was my best option and the only way to make a clean background and control the ambient light. As workers continued adding floor boards, I set up a light with a shoot-through umbrella and almost lost it – the bridge was a wind tunnel! I had to rely on the frosted cover for my light to diffuse the output. Later when I shot the video, I bumped up the gain on my microphone. Almost too much, but I had clear audio.

I was thankful for the walking stick he was using, as it gave him something useful to do with his hands. I asked him to look around at the work he’d done to keep him from looking directly at the camera and also have at least one eye in the frame!

It was a beautiful day and a great drive home. After uploading everything, Kentucky Living posted the video on their site. I received the print issue a few days ago, but the Uniquely Kentucky page won’t post on their website until their next issue hits the mailboxes.

The photo Kentucky Living editors chose was the next frame after the one I liked above, of Arnold looking more up and away.

March 5, 2003 – Mike Ratterman takes a rest …

March 5, 2003 – Mike Ratterman takes a rest … after installing a limestone bench on Fourth Street outside the new convention center. “It’s my first piece of public art,” Ratterman said of the bench, commissioned by the City of Louisville. @mikeratterman @annieboone32 . . . . . # Publicart

A green mohawk and pinball photoshoot

It all began with a text from Antz ...

Last week, Antz Wettig texted me to ask if I was available Friday night for a photoshoot. If he thought something was worthy enough to ask, I was definitely interested. Besides, a possible shoot suspends anything else I may have planned, so I immediately said yes and to get me there early.

"A person from the Pinball collecting community is visiting Zanzabar tomorrow. She reached out to me and asked if I knew any photographers who might be interested in doing a shoot around my pinball machine collection. Any interest?"

Antz Wettig, Zanzabar
Antoinette Johnson

Antz also attached a photo from her Instagram account, which helped sealed the deal. Her bio said:

Antoinette Johnson • NYC Artist & Hairstylist • Tri-hawk ™ • pinball nutcase • www.antoinettejohnson.com

Friday rolls around, and I get to thinking … This is in a bar on a Friday evening about dinner time and Mary Jean has planned on cooking dinner tonight. So I resolved to make it a quickie!

But after carrying in all my gear on a rainy night, I set up and we started shooting. She was an experienced subject with big green hair and we had the perfect arcade with bright pinball machines, so we worked it.

Here's a few more images from our session:

An hour or so later, I realized it was no longer a quickie. We moved through another costume change and dinner started weighing heavy on my mind. We called it a night. I told her the photos would post soon, and to enjoy her Christmas present!

Antoinette posted an Instagram photo of me that Antz shot with her phone of me shooting the session: